Examining the Language of Drama Texts with a Reference to Two Plays: A Stylistic Study

Eman Adil Jaafar


 Analyzing the language of drama texts stylistically can be somehow challenging, due to the fact, dialogues need certain tools and techniques to be used. Therefore, the fundamental purpose of conducting this work is to show how to analyze plays stylistically. This paper focuses on two plays, namely, Major Barbra by G.B. Shaw, specifically, act (1) and knuckle by David Hare. In addition, showing a kind of comparison between the two playwrights’ writing style, their choices and the linguistic variations, which the two texts have. Mainly, the analysis is based on Thornborrow and Wareing’s (1998) model. This model applies methods of stylistics to analyze the aesthetic side of the language of the selected texts. This model also allows researchers to refer to certain tools related to pragmatics and discourse analysis to investigate the dialogues in order to reach to rightful interpretation. Since the language of drama texts shows diversity in its form, this methodology looks at a drama text as a combination of different genres which they need different tools from linguistics. In this way, reader can gain an understanding of the texts by following rational and tangible evidences from the language of the texts.


stylistics, conversational analysis, dramatic dialogues, aesthetic language, everyday language.

Full Text:



  • There are currently no refbacks.